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You'll Never Eat Lunch In This Town Again, by Julia Phillips
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Insider's account of Hollywood.
- Sales Rank: #1291197 in Books
- Published on: 1991
- Binding: Hardcover
- 573 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
So-so
By Stephen Harris
The author's writing style is engaging, so I was able to read it fairly quickly. Having said that, it is one of the most unimportant books I've read in a decade. The book has a reputation for notoriety, for revealing deep dark secrets on Hollywood big names, but I found extremely little if anything that made my jaw drop. This actor did cocaine. That producer had bad breath. I found it very underwhelming in that regard.
After a while, the book gets quite tedious, as the author describes yet another spat, another drug scene, another morose mood. And when you get down to it, the book is often downright incoherent. Example: one of the key moments of her life is getting fired from CE3K (as she calls it), so after a 150-page buildup to it, she states essentially: I woke up one day and they fired me. No explanation beyond that. Huh?
Her habit of seeking out and describing the worst qualities, often quite trivial, of every single person on earth is so off-putting.
And the thought that she had a toddler living with her when she was engaged in her destructive behavior made me shudder more than once. She mentions her daughter every hundred pages or so. In one of the very few interactions she describes with her 4-year-old daughter, she mentally groans with annoyed impatience almost every time the child opens her mouth.
In her acknowledgements at the end of the book, she thanks her father and stepmother, but not her (dead) mother. One can imagine the thought process that led to that decision. What a profoundly bitter person.
All in all, a self-destructive person who has contempt for all life. I would never want to have anything whatsoever to do with her.
Definitely not a must-read. If you want to fill a couple of days at the beach, go for it. But if you're looking for something of depth and substance, pass.
79 of 87 people found the following review helpful.
A savage, bitter, ultimately tragic self-portrait.
By M. Chapman
In her Oscar acceptance speech for Best Picture, Julia Phillips described herself as a "nice Jewish girl from Great Neck." Well, she got 2/3 of it right. But nice? No way.
This book is one of the greatest acts of literary self-immolation ever published. It's hard not to feel sorry for Phillips at first, suffering as she does from a toxic mother, a workaholic father, insomnia and a Talmudic intellect.
But you get over that feeling in a hurry, as Phillips bullies, maneuvers, sleeps and stomps her way to the top, winning an Oscar for The Sting at the unheard-of age of 29. Her motto: overcompensate; overachieve. If you can't be best, be first.
As she notes, no young person is ever ready for massive success, and her career crashed just as quickly. After being more or less fired from Close Encounters by Steven Speilberg, her life became a broken record of drug abuse, failed relationships, financial problems and closed doors gleefully slammed by those she used and abused on the way up. Through it all she makes it all seem like a big game, but the human wreckage strewn across the landscape will give the reader pause.
It's hard to know whether Phillips' broadsides at anyone and everyone with whom she had contact are simply through spite, or whether we'd all be better off if Hollywood simply disappeared in the next big quake. Phillips claims that she's just being honest, but snide remarks about a crewmember's physical deformity make her seem only nasty.
Hate it as she did, Phillips revelled in the politics, the backstabbing, the lies and shallowness, the feeling of power that came with the title of Producer. She learned fast ("Always negotiate the height and WIDTH of your [on-screen] credit," she advises, after her on-screen credit for The Sting is "willow thin.") Her films (Taxi Driver, The Sting, Close Encounters, among others) were good, though one gets the sense it was in spite of her take-no-prisioners approach.
One wishes at the end that Phillips would "get it," but instead she reaps what she sews. There was to be no Hollywood redemption for her. Phillips' death this january was untimely, but no human being could possibly survive for long carrying around so much bile. Very much worth the read, even only as a cautionary tale.
32 of 45 people found the following review helpful.
A book that's impossible NOT to put down
By Jerry P. Danzig
I bought this book hoping to find some juicy tales of Hollywood high-ups running amok, but the price is far too extravagant: wading through pages, if not chapters, of self-absorbed twaddle by this thoroughly uninteresting woman. Only the people mentioned in this book will have the self-interest to read all the way through. If you want to read much more entertaining accounts of Hollywood improprieties, I recommend "Hit and Run" or "Easy Riders & Raging Bulls" or even the very poorly edited (but enjoyable) "High Concept".
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